June 7 – August 30, 2013
June 14 | 5:30 pm
For more than 20 years Lola Flash has been committed to deconstructing racism, sexism and homophobia through challenging photographic imagery. [sur]passing is a work in progress that confronts the phenomenon known as pigmentocracy. The term, coined by cultural critic Kobena Mercer in 1994, describes a hierarchy wherein a slave’s socio-economic position could be determined by their skin color. In [sur]passing, Flash analyzes the impact of this condition on contemporary society.
Posed in front of the varied yet undefined skylines of London, New York, and South Africa, Flash’s models, both male and female, represent an array of skin-color. Their youthful energy suggests they have transcended the pecking order that has historically been the source of contention throughout the African Diaspora.
According to Flash, these portraits represent a “new generation” – one that is above and beyond “passing.” They represent a fresh pride and strength; where ambiguity and blurred borders create individuality that elevates consciousness, and advances a plethora of complex and positive imagery of [black] people all over the world.
Flash received her BA in photography from the Maryland Institute of Art and an MFA from the London College of Communication. She has exhibited widely and her work appears in various collections including the Victoria and Albert Museum, London, England.